![youtube 2caudio aether youtube 2caudio aether](https://i.ytimg.com/vi/mDyJkNpkKVk/maxresdefault.jpg)
Here's a link to some pretty good true stereo impulses.Īudiobro refers to the "Color & Stage", included in their arc, which is their own reverb. When I started that thread I was pretty clueless as to how it all worked. I'm guessing they are the Convolution that are in Kontakt and unless they are using 2 Convo-verbs in some way to get true stereo reverb, you might be able to come up with a better convo-verb.Ĭheck out this thread about True Stereo Reverb, there's a lot of info there. Hi maxime, are the reverbs that Audiobro refer to, in Kontakt itself or do they have a completely separate reverb? If anyone manage to get that kind of pretty good sound, could you please share it there? I also like the strings sound in "Reverie in G". That said, one of the reason we started including our own reverbs was to help users get at different “filmic” sounding reverberation without using external plugins or additional hardware." "Since that demo was composed prior to our release of Stage and Color (and our included LASS reverbs) I’m pretty sure Nathan used his own reverbs.
![youtube 2caudio aether youtube 2caudio aether](https://pluginpicks.com/wp-content/uploads/2021/10/Trypticon_300x250.jpg)
To tried to know what reverb he used in this demo, I sent a mail to Audiobro itself, here is the answer : I heard their demos on Audiobro's website, and I really like how sounds the strings in "The Calm After" by Nathan Furst. Knufinke's SIR2 has superb impulse responses available.įor a long time I tried to find the "right reverb" for LASS2, but I never get what I want. You may also like a convolution / impulse reverb on this type of material.
#Youtube 2caudio aether download
You can download a demo and try it on your music. I would look at 2CAudio's Aether if I were you. Unfortunately, it uses iLok so it doesn't exist as far as I'm concerned. Reaper people are experts at finding less expensive solutions which sound better than more expensive solutions, so I'm asking here.Ĭan I do better than Spaces for dry orchestral samples? Is Altiverb really worth $1,000? Any other advice about reverb for dry orchestral samples?Īltiverb has a great reputation. But I take the vi-control crowd's opinion with a grain of salt, because their music doesn't generally sound good, and a fair portion are the type who would buy expensive equipment whether it's worth it or not. Altiverb, expensive,Īltiverb is also what Audiobro chose to use when making their demos for LASS. I already have QL Spaces, but I'm wondering about other reverbs. I'm also using LASS samples, which were recorded in a regular sound stage but still sound dry. The samples are from VSL, and were recorded in their "silent stage": I need to add reverb to orchestral samples which are almost dry.